When I started painting, it was for myself. I wanted to try to capture the images that floated through my mind; and I wanted to play with acrylics, and learn how to use that medium. When I looked at works of art by illustrators like Rose Cowles, something in my heart would long to do that too.
So, I bought my first paint set with my Christmas money. I've probably already mentioned that in an earlier post, but it really was a pivotal moment for me. I'd been aching to get my hands on the paint, the canvas, the brushes, the ideas, for over a year. When the time came to jump in, I was ready.
Then came another pivotal moment: when I realized that I could make my paintings into cards and sell them to help raise awareness and funds for our local Down syndrome society. I approached the Board, and asked if I could. The Board was on board (awful pun intended), and so The Little Gull Project began.
To say I am very proud of The Little Gull is an understatement.
I'm very proud. But, I'm also quite aware that my paintings are at the experimental stage. There are a lot of wonderful artists out there, like Diane Duda, and I'm happy to learn from their creations. Dianne uses text in many of her paintings, and that inspired me to try it too. Take this little guy, for example:
This painting is an experimental project on paper. What do I like about this painting? I'm pretty happy with the text collaged onto the owl's belly. I think I could have done better with the bleeding hearts. I should have used canvas instead of paper, as the paper buckled from the thickness of the paint. I'm not happy with the background because of that buckling. I'm thinking a different colour for the sky might be a better plan. I'm tempted to cut the owl and tree out, and collage it onto a canvas, or wooden block (something I have yet to try).
If you have any advice on how to make this owl better - please leave a message. I'm happy to learn! I'm in need of a mentor, or two, or ten....
The Little Gull has a lot of room to grow, and I'm okay with that.
